In addition, it urged his humanistic background to other places and deeper questions.
The study of original scores, the performance practice and the biographical background was for him an indispensable context. Besides the many recitals and concerts, he felt the inner need - especially in chamber music - going even deeper into the background. The end of World War II meant to Frédéric Gevers the beginning of a concert career that took him all over Europe and much of the world. In 1945, Frédéric married the musician Eva Hartung they had two sons. He enjoyed an excellent education and his teachers included Walter Rummel, Paul Roes, Wilhelm Kempff and especially Yves Nat. Frédéric had perfect pitch, got piano lessons since the age of 4, and the music was one of the factors that determined his life. This milieu shaped Frédéric's artistic and cultural engagement and his love of nature. He grew up outside of Antwerp in the country Missemburg, where the family Willems-Gevers lived in the middle of an old park. Frédéric Stéphane Jacques Louis was the youngest of five siblings, the younger brother of Émile (Émile Gevers). the anthroposophical pioneer generation in Belgium and was characterized above all by its research-based, a small group stimulating, meditative efforts.įrédéric Gevers’ father was a notary, his mother, Marguerite Craleux, a niece of Emile Verhaeren. Frédéric Gevers, was a Belgian pianist and music pedagogue, General Secretary of the Anthroposophical Society in Antwerp Belgium He was a sensitive, artistically gifted man, who as a pianist and teacher exerted a broad and its spirituality and profound effect on many young musicians in Belgium and in other European countries.
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